The last few days, I've been going through some old boxes of mine. It's kind of exciting--like opening a pack of trading cards when you're little. You kind of know what to expect, but not completely--will you get that special foil card? That really rare card? Or will you finish off a collection?
I found a treasure!
I think I should start out by admitting that I'm a pack-rat. It's a tendency I'm trying to overcome. But I'm so glad that I found these--old school papers from elementary school. The big, bulky, construction paper-enriched crafts. Math tests, math papers, social studies papers...and writing!
Oh, my gosh. What did you write like, when you were little? Or what did you write about?
I'm pretty sure we were given pictures and were told to write stories about them. I was hoping mine would be fantastic and show how I was a writer at a young age, but alas, they weren't. There were some misspellings--I was just freshly seven, having had my birthday right before school began. But they were such treasures. Interesting views into my mind, in fact. I wrote a lot about kittens and blond girls named Lisa (I wanted to be blond, though I'm definitely not, and I wanted my name to be Lisa, though I love it as is). I laughed, and laughed, and I'm so glad I found them, and I'm so proud of them, whether or not they are well-written. I packed them away, but drawing on my memory:
If I found a dinosaur outside of my house, I would: ask my Mom if I can keep him and then I would keep him and I would call him farad. (I think that was supposed to be Fred. It wasn't capitalized in my "story," either.)
In the summertime: We wear three types of clothes; skirts, shorts and swimsuits. If you are a boy, you can only wear two. If you are a girl, you can wear all three. And you can play with the garden hose.
One Christmas: Everyone forgot, except for a little girl named Lisa. But she didn't know anyone forgot, so she didn't tell anyone. She left him (Santa?) a gift on Christmas Eve. (I assume that's the only gift given, and if you really want to think into it, Santa forgot, too, so he didn't even get his present...but oh, well.)
Oh, sometimes it's annoying to get prompts, but sometimes it's a lot of fun. So, I challenge you to tell me your own stories--what happened in the summer? What happened one Christmas? And what would you do if you found a dinosaur outside your house?
Or, you know, just enjoy my sad "stories." I did. :)
Showing posts with label story-telling. Show all posts
Showing posts with label story-telling. Show all posts
Thursday, September 30, 2010
Tuesday, September 7, 2010
Review: Toy Story 3
So, if you can't guess from that, this is going to be a glowing review.
I don't know how Pixar does it. How they tell a story so phenomenally three times in a row, with similar tendencies, similar problems, and yet make three completely different yet connected, fantastic films. Each one is sparkling and new. Each one is beautiful. Each one packs a message without walloping you over the head with it.
And this one made me cry.
Okay, so if you were to ask my brother, he'd say that's not very difficult. But it made my cousin cry, too. We saw it together. She and I loved it. I laughed and laughed--it was so stellar! So--Pixar!
My one complaint is that Bo is in this photo I found, but is not in the movie (although she's mentioned. Thanks, Pixar!)
The thing about this movie is, we've grown up. Andy has. His sister has. Most of the toys are gone. Have been, for a while. But the special ones are left. (Hey, I've still got Polly Pockets--the old-school type--and they're sticking with me. You know? I totally understood.) They were about to go into the attic--all but Woody, whom Andy was going to take with to college. But through a mistake, they end up going to a day care. And as usual, they have to fend for themselves, find their love, and live (as toys) again, somehow.
We meet some new toys and people, and mourn the loss of old ones. We laugh ourselves silly over Ken--oh, my gosh, KEN! So....good...you just have to watch it for his antics, alone. We feel our hearts break and mend, faster than you can pull dry play dough out of its tub. (I'm grasping at metaphors, here.)
One thing is for sure--Pixar knows quality, and they know how to take chances. I respect them, and their stories. They've made me fall in love with them, all over again.
Wednesday, May 26, 2010
Feeling Lost, but learning from it (Watch out for spoilers, about midway down)
This isn't a unique feeling or post, I'm sure, and the title is a bit cheesy, I think, but seriously. Seriously!
OK. So, I started watching the TV Show "Lost" about three weeks ago. I wanted to figure out what was going on before the finale, so I could watch the finale. I just wanted to know about the hype. Yes, I got sucked into some stuff, though I had no clue what was going on with some other stuff. Thanks to Wikipedia, Hulu and my cousin, I felt pretty ready for the finale.
I almost cried the entire time! Some of my predictions came true, some had no legs to stand on, anyway. But, oh, my gosh.
Then I started to think about the parallels between the pilot and the finale. If you haven't seen it yet, but want to, maybe you shouldn't read past this point. If you don't care one way or the other, keep on reading.
Jack Shepherd, one of the main cast, starts out the entire show when he wakes up, after the plane has crashed on the island (you all knew that anyway, right?). It starts, as I recall, with the zoomed in close-up of his eyes opening. Vincent the dog finds him in the field, and then Jack's racing for the beach, starting to try to save everyone's life. The plane is in flames, and people are screaming. Locke is discovering he can walk. (He was in a wheelchair.) I think still in the pilot, there is the ubiquitous reference to black and white, good and evil.
What about the finale, then? Jack again is racing to save everyone, only this time, with his last breath. There's a subdued yet rushed feeling to his last walk through the bamboo. He has given his life to save the world this time, without thinking--much like his gut reaction in the pilot. Whatever he may have done in the meantime, he is what he is--he could not escape it. He was caught in that trap from the first episode. At the end, he sank down, fell down, and watched as the last few people escaped the island--Sawyer (once, his competition), Kate (his love), Claire (his half-sister), the pilot, Miles, and Richard. He sort of smiles. Vincent the dog finds him where he has fallen, in the bamboo patch. He's wounded again, as he was in the pilot, but this time, there's nothing he can do about it. There's a zoom-in, and he dies--with the last scene showing us his eye closing.
It's hauntingly beautiful, in a way. That his life has echoed itself, that he has done what he has to do, he has accepted it. It tears you apart--at least, it tore me apart. The parallel, and all of the meat in-between--his character development, the way he said goodbye to his loved one(s), and the sacrifice--all the death, to be completed by one last death. It's like literary fiction!
Yeah, sure, there are alternate time lines and alternate universes and alternate existences--in fact, in the finale you learn that the people from the flight made a place together, a (loosely-termed) purgatory of sorts, where they can meet each other again, remember, and then move on to the next plane together. (Not airplane, guys!) Yes, there's a lot of goofy other stuff going on--polar bears and such, and time travel, some group of people under an initiative that no one seems to know anything about. Think past all that. It's not so important as the basic story, which I believe lies in the first and last season (although this could be just me, as those are the only full seasons I watched). It's the struggle of life, death; it's the turmoil of emotions and relations, of friends, family, strangers, love, hate, the wild vs. civilization, good and evil. Opposites, that are so magnetized to each other that they cannot be one without the other, in many theories, in many instances.
These parallels are, in my humble opinion, beautiful ways to frame stories. The overarching themes that carry through, the true-to-character actions, the parallels, the meat in-between.
And though I didn't understand everything that went down in the finale--I think, after I've, ahem, gone through my grieving process--that it brings this show a bit of closure, and provides some lessons we can all learn from. And that, even if I don't understand, even if I am torn apart, I can respect, admire and even enjoy the framing of the story, and the story itself.
RIP, Lost.
OK. So, I started watching the TV Show "Lost" about three weeks ago. I wanted to figure out what was going on before the finale, so I could watch the finale. I just wanted to know about the hype. Yes, I got sucked into some stuff, though I had no clue what was going on with some other stuff. Thanks to Wikipedia, Hulu and my cousin, I felt pretty ready for the finale.
I almost cried the entire time! Some of my predictions came true, some had no legs to stand on, anyway. But, oh, my gosh.
Then I started to think about the parallels between the pilot and the finale. If you haven't seen it yet, but want to, maybe you shouldn't read past this point. If you don't care one way or the other, keep on reading.
Jack Shepherd, one of the main cast, starts out the entire show when he wakes up, after the plane has crashed on the island (you all knew that anyway, right?). It starts, as I recall, with the zoomed in close-up of his eyes opening. Vincent the dog finds him in the field, and then Jack's racing for the beach, starting to try to save everyone's life. The plane is in flames, and people are screaming. Locke is discovering he can walk. (He was in a wheelchair.) I think still in the pilot, there is the ubiquitous reference to black and white, good and evil.
What about the finale, then? Jack again is racing to save everyone, only this time, with his last breath. There's a subdued yet rushed feeling to his last walk through the bamboo. He has given his life to save the world this time, without thinking--much like his gut reaction in the pilot. Whatever he may have done in the meantime, he is what he is--he could not escape it. He was caught in that trap from the first episode. At the end, he sank down, fell down, and watched as the last few people escaped the island--Sawyer (once, his competition), Kate (his love), Claire (his half-sister), the pilot, Miles, and Richard. He sort of smiles. Vincent the dog finds him where he has fallen, in the bamboo patch. He's wounded again, as he was in the pilot, but this time, there's nothing he can do about it. There's a zoom-in, and he dies--with the last scene showing us his eye closing.
It's hauntingly beautiful, in a way. That his life has echoed itself, that he has done what he has to do, he has accepted it. It tears you apart--at least, it tore me apart. The parallel, and all of the meat in-between--his character development, the way he said goodbye to his loved one(s), and the sacrifice--all the death, to be completed by one last death. It's like literary fiction!
Yeah, sure, there are alternate time lines and alternate universes and alternate existences--in fact, in the finale you learn that the people from the flight made a place together, a (loosely-termed) purgatory of sorts, where they can meet each other again, remember, and then move on to the next plane together. (Not airplane, guys!) Yes, there's a lot of goofy other stuff going on--polar bears and such, and time travel, some group of people under an initiative that no one seems to know anything about. Think past all that. It's not so important as the basic story, which I believe lies in the first and last season (although this could be just me, as those are the only full seasons I watched). It's the struggle of life, death; it's the turmoil of emotions and relations, of friends, family, strangers, love, hate, the wild vs. civilization, good and evil. Opposites, that are so magnetized to each other that they cannot be one without the other, in many theories, in many instances.
These parallels are, in my humble opinion, beautiful ways to frame stories. The overarching themes that carry through, the true-to-character actions, the parallels, the meat in-between.
And though I didn't understand everything that went down in the finale--I think, after I've, ahem, gone through my grieving process--that it brings this show a bit of closure, and provides some lessons we can all learn from. And that, even if I don't understand, even if I am torn apart, I can respect, admire and even enjoy the framing of the story, and the story itself.
RIP, Lost.
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